6 October 2010
Manchester Visitor Information Center
Manchester Visitor Information Center
想像如果台北市的旅遊諮詢中心能有這樣完整度的表現
（以及正確使用合適的科技），相信形象應該會更好。
7 August 2010
27 June 2010
[食] 淡水_黑店
我可以這麼武斷地推論:
本店的行銷策略是
現在台灣人口味洋化，很難再讓味蕾回歸記憶的起點、童年的氛圍，尤其是
市場上各家餐廳在技法、份量與價格上拼殺慘烈，不時又加入異國料理的圍剿，
如何才能異軍突起呢？
只有兩個字: 「平凡中的平凡！」
真的沒特別好吃，又油！
但你就是很難在這一片綠油油的健康飲食主義中，
再次輕巧勾起屬於你那童年消散的片段回憶：
扒一口酸菜拌肉醬、撕一口滿嘴油滋滋但緊實的排骨肉，
當這巷口滋味找上你時，
你也找回20年前的自己。
15 April 2010
10 April 2010
18 March 2010
15 March 2010
3 February 2010
陳文茜號召 七大產業力挺環保片
在陳文茜的號召下，演藝圈與商業圈具影響力的名人紛紛跟進，一起響應環保紀錄片《±2℃紀錄片—臺灣必須面對的真相》的拍攝。周杰倫更為廣播公益廣告獻「聲」，感性說：「當全球暖化失控，海平面持續上升，我們不但要和一寸一寸、沉入大海的故鄉道別，也要準備和自己的未來道別！」
本紀錄片獲台灣七大龍頭產業支持，包括鴻海郭台銘、廣達林百里、台達電鄭崇華、聯發科蔡明介、裕隆集團嚴凱泰、趨勢科技張明正、華碩施崇棠。連綜藝大姊大張小燕也為此發聲，「給下一代一個可以『站立』的土地，是我們的責任。」還有趙少康、王偉忠、五月天、蘇打綠、張懸、王力宏、陶晶瑩、蔡康永、唐湘龍等名人參與。本片將於 22 日晚間７點 22 分於臺北市花卉博覽會舞蝶館舉行全球首映
本紀錄片獲台灣七大龍頭產業支持，包括鴻海郭台銘、廣達林百里、台達電鄭崇華、聯發科蔡明介、裕隆集團嚴凱泰、趨勢科技張明正、華碩施崇棠。連綜藝大姊大張小燕也為此發聲，「給下一代一個可以『站立』的土地，是我們的責任。」還有趙少康、王偉忠、五月天、蘇打綠、張懸、王力宏、陶晶瑩、蔡康永、唐湘龍等名人參與。本片將於 22 日晚間７點 22 分於臺北市花卉博覽會舞蝶館舉行全球首映
為了減碳愛地球，請一起響應中央政府環保署的「一人一日減碳一公斤」
http://ecolife.epa.gov.tw/Cooler/flash/eco2_main_02.html
21 January 2010
11 January 2010
[分享] Urban Street Art: Green Graffiti (12 pics)__"綠"塗鴉
塗鴉，在英語中無論單數或複數，
均由義大利文借用得來，並且都是起源於希臘文γραφειν (graphein)，意指「書寫」。
而「書寫」，是帶有意識，也帶有傳達訊息的企圖。
昔日塗鴉多半蘊含反社會、針砭生活中某種程度的忽視，
但這綠塗鴉似乎還挺溫和且正面。
作者 Edina Tokodi 除了表達對環境關注的創作目的外，還期許帶出人與自然的「觸覺關係」。
作品意圖吸引行人進行觸摸與感受的感官行為，進而提醒水泥叢林的都市人對於動物或自然關係的疏離。
然而，已經在全世界各地放置的作品，藝術家也刻意任由它們自然生長，也算是表現生命的另一種張力。
（希望花博也能找到類似的藝術作品參展...）
Using "green guerrilla tactics," eco-minded street artist Edina Tokodi brings nature closer to city dwellers through her living works of art. Unlike most other types of art forms, her site-specific moss installations are meant to be touched, felt.
"City dwellers often have no relationship with animals or greenery," says Tokodi. "As a public artist I feel a sense of duty to draw attention to deficiencies in our everyday life. As a cultivator of eco-urban sensitivity, I usually go back to the sites to visit my 'plants' or 'moss,' sometimes to repair them a bit, but nothing more generally as they tend to get enough water from the air, condensation, and rain – especially in certain seasons."
"I also like to let them live by themselves. From the moment I put them on the street they start to have their own life. For me, the reaction of life on the street is also very important. I am curious about how people receive them, if they just leave them alone, or if they want to, take care of them or dismantle them."
Tokodi studied graphic art and design at the Hungarian Academy of Fine Arts and also completed urban design course work in Milan, Italy. She currently lives in Brooklyn, New York.
Edina Tokodi's website
"City dwellers often have no relationship with animals or greenery," says Tokodi. "As a public artist I feel a sense of duty to draw attention to deficiencies in our everyday life. As a cultivator of eco-urban sensitivity, I usually go back to the sites to visit my 'plants' or 'moss,' sometimes to repair them a bit, but nothing more generally as they tend to get enough water from the air, condensation, and rain – especially in certain seasons."
"I also like to let them live by themselves. From the moment I put them on the street they start to have their own life. For me, the reaction of life on the street is also very important. I am curious about how people receive them, if they just leave them alone, or if they want to, take care of them or dismantle them."
Tokodi studied graphic art and design at the Hungarian Academy of Fine Arts and also completed urban design course work in Milan, Italy. She currently lives in Brooklyn, New York.
Edina Tokodi's website
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